Overview - Surah 89: al-Fajr (The Dawn )
The Surah takes its name from the first Ayat, وَالْفَجْرِ "By the dawn" [89:1].
There are 30 Ayat in this Surah.
Overview
| Total Ayat | 30 |
| Total Words * | 137 |
| Root Words * | 70 |
| Makki / Madani | Makki |
| Chronological Order* | 10th (according to Ibn Abbas) |
| Year of Revelation* | 4th year of Prophethood |
| Events during/before this Surah*
Public Invitation to Islam - Persecution of Muslims; antagonism - ridicule - derision - accusation - abuse and false propaganda., Revelation begins - Private Invitation to Islam , Revelation begins - Private Invitation to Islam , Revelation begins - Private Invitation to Islam
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| Events during/after still to occur*
Physical beating and torture of some Muslims - 1st Migration of Muslims to Abyssinia,2nd Migration to Abyssinia,Boycott of Banu Hashim Yr 1,Boycott of Banu Hashim Yr 2,Boycott of Banu Hashim Yr 3,Death of Abu Talib - Death of Khadijah - Stoning at Ta'if - al-Isra wal Mi'raj - Night Journey,1st Pledge of Aqabah,2nd Pledge of Aqabah,,Migration from Makkah to Madinah - Building of Masjid Nabi in Madinah - Treaty with Jews of Madinah - Marriage of Prophet to Aishah,Change of Qiblah from Jerusalem to Makkah - Battle of Badr,Battle of Uhud,,Battle of Ahzab - Expedition of Banu Quraydhah,Treaty of Hudaiybiyah - Letters to Kings and Rulers,,Conquest of Makkah - Battle of Hunain,Hajj led by Abu Bakr - Expedition of Tabuk,Farewell Hajj by Prophet - Death of Prophet - End of Divine Revelation
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| Names of Prophets Mentioned
No Prophets names are mentioned in this Surah
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| Surah Index
‘Aad, Angels, Charity (sharing food) , Earth (condition of at the time of resurrection) , Hell, Hud, Inheritance, Iram, Judgement (Day) (and mountains lifted and crushed), Materialism, Resurrection (of soul)
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Its theme is to affirm the meting out of rewards and punishments in the Hereafter, which the people of Makkah were not prepared to acknowledge. Let us consider the reasoning and the order in which it has been presented. First of all the swearing of oaths by the Dawn, the Ten Nights, the Even and the Odd, and the Departing Night, the listeners have been asked: “Are these things not enough to testify to the truth of that which you are refusing to acknowledge?” From the explanation that follows it will become clear that these things are symbols of the regularity that exists in the night and day. Even after witnessing this wise system established by God, do you still need any other proof to prove that it is not beyond the power of God to call man to account for his deeds?
Then, the evil end of the ‘Aad and the Thamud and Pharaoh has been cited as an example to show that when they transgressed all limits and spread corruption in the earth, God laid upon them His punishment. This is a proof of the fact that the system of the universe is not being run by deaf and blind forces, nor is the world a lawless kingdom of a corrupt ruler, but a Wise Ruler is ruling over it. After this, an appraisal has been made of the general moral state of human society of which Arab paganism was a conspicuous example; two aspects of it in particular, have been criticised: first, the materialistic attitude of the people on account of which overlooking the moral good and evil, they regarded only the achievement of worldly wealth, rank and position, or the absence of it, as the criterion of honour or disgrace, and had forgotten that neither riches was a reward nor poverty a punishment, but that God is trying man in both conditions. Second, the people’s attitude under which the orphan child in their society was left destitute on the death of the father. Nobody looked after the poor; whoever could, usurped the whole heritage left by the deceased parent, and drove away the weak heirs fraudulently. The people were so afflicted with an insatiable greed for wealth that they were never satisfied however much they might hoard and amass. This criticism is meant to make them realise as to why the people with such an attitude and conduct in the life of the world should not be called to account for their misdeeds.
The discourse has been concluded with the assertion that man will be accountable and it will take place on the Day when the Divine Court will be established. At that time the deniers of the judgment will understand what they are not capable of understanding now - however then it will be of no avail. The denier will regret and say, “Would that I had prepared for this Day while I lived in the world.” But his regrets will not save him from God’s punishment. However, as for the people who would have accepted the Truth, which the heavenly books and the Prophets of God were presenting, with full satisfaction of the heart in the world, God will be pleased with them and they will be well pleased with the rewards bestowed by God. They will be called upon to join the righteous and enter Paradise.
- In the beginning of the Surah there is mention of the end of those who deined their Lord and the Surah ends with speaking about those who believed.
Manuscripts / Inscriptions
Total Word Count per Ayat (shows how many words per Ayat) = * | ||
Its contents show that it was revealed in Makkah at the stage when persecution of the new reverts to Islam had begun. On that very basis the people of Makkah have been reminded of the evil end of Pharaoh and the tribes of ‘Aad and Thamud.
- The admonition for social welfare through the examples of prior nations.
- What should be avoided to do real social welfare?
- The Day of Judgement will be too late to heed the admonition.
- There are three types of Nafs. In this Surah, Nafs-e-mutmainnah is referred to those who believe in Allah (swt), Risalah (Messengership) and Day of Judgement.
- Allah (swt) takes oaths by the dawn (Fajr) in order to attract the attention of people.
- The love of wealth which generally penetrates into the heart of men.
Tafsir Zone
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Sayyid Qutb Overview Prologue The present surah follows, in general, the line of this part of the Qur’an, inviting the human heart to faith, urging man to awake, meditate and follow the path of righteousness. It uses different kinds of emphasis, connotation and rhythm, but constitutes, nevertheless, a single harmonious piece of music, varying in tones but maintaining the same cadence. Some of its scenes impart a touch of quiet beauty and a light, pleasant rhythm. This is particularly evident in its opening, which describes certain charming aspects of the universe and provides at the same time an aura of worship and prayer: “By the dawn, by the ten nights, by that which is even and that which is odd, by the night as it journeys on!” (Verses 1-4) Other scenes are tense and dramatic in both what they describe and in their music, like this violent, frightening picture: “No indeed! When the earth is systematically levelled down, and your Lord comes, with the angels rank on rank, and on that day, hell is brought near, then man will remember, but how will that remembrance avail him? He shall say, ‘Oh, would that I had prepared for my life!’ On that day, none will punish as He punishes, And none will bind with chains as He binds.” (Verses 21-26) Some of the portraits drawn in the surah are pleasing, gentle and reassuring, striking perfect harmony between subject matter and rhythm. This is especially true of its ending: “Oh soul at peace! Return to your Lord, well pleased and well pleasing. Enter, then, together with My servants! Enter My paradise!’ (Verses 27-30) The surah also includes references to the destruction that befell insolent peoples of the past. The rhythm here falls somewhere between that of easy narration and that of violent destruction: “Have you not heard how your Lord dealt with the `Ad, the people of Iram, the many pillared [city], the like of whom has never been created in the whole land? And with the Thamud, who hollowed out rocks in the valley? And with Pharaoh, of the tent pegs? They were all transgressors throughout their lands, bringing about much corruption there. Therefore, your Lord let loose on them the scourge of suffering. Your Lord surely observes all.” (Verses 6-14) We also have an outline of some human concepts and values which are at variance with faith. This part has its own style and rhythm: “As for man, whenever his Lord tries him by His generosity and with a life of ease, he says, My Lord is bountiful to me.’ But whenever He tries him by stinting his means, he says, My Lord has disgraced me.’“ (Verses 15-16) A refutation of these erroneous concepts and values is provided through an exposition of the human conditions which give rise to them. Here we have two kinds of style and rhythm: “No indeed; but you are not generous towards the orphan, nor do you urge one another to feed the needy. You devour the inheritance [of others] greedily, and you love wealth passionately.” (Verses 17-20) It is clear that the latter style and rhythm serves as a bridge between the statement of erroneous human ways and that which explains their inevitable attendant fate. These verses are immediately followed by a picture of the earth as it is levelled. This brief overview reveals to us the numerous colours of the scenes described and explains the change of metre and rhyme according to the change of scenes. The surah is indeed an excellent example of an exceptionally beautiful style which is varied and harmonious at the same time. Overview (Verses 1 - 5) A Serene Opening “By the dawn, by the ten nights, by that which is even and that which is odd, by the night as it journeys on! Is there not in that an oath for a man of sense?” (Verses 1-5) This opening groups together a few scenes and creatures who have familiar, pleasant, and transparent souls. “By the dawn,” refers to the time when life starts to breathe with ease and happiness, a time of fresh, friendly companionship. This dormant world gradually wakes up in a prayer-like process. “By the ten nights.” (Verse 2) The Qur’an does not specify which these ten nights are. Several explanations, however, have been advanced. Some say they are the first of the month of Dhu’l-Hijjah; some say they are in al-Muharram; and others state that they are the last ten nights of Ramadan. As it leaves them undefined, the Arabic reference acquires an added yet amiable effect. They are merely ten nights known to God but the expression connotes that they have special character, as if they were living creatures with souls and there was mutual sympathy between them and us, transmitted through this Qur’anic verse. “By that which is even and that which is odd.” (Verse 3) This verse adds an atmosphere of worship to that of the dawn and the ten nights. According to al- Tirmidhi, the Prophet says: “Some prayers are of even number and some are odd.” This is the most appropriate import to be attached to this verse, in the general context of the surah. It suggests a mutual response between the souls of the worshippers and those of the selected nights and the brightening dawn. “By the night as it journeys on.” (Verse 4) The night here is personified as if it were a traveller journeying in the universe. Its portrait is like that of an insomniac walking on and on in the darkness, or a wayfarer who prefers to start his long journey at night. What a beautiful expression, one enhanced by its superb rhythm! The harmony between this verse and the dawn, the ten nights, the even and the odd is perfect. These are not mere words and expressions: they provide a feeling of the breeze at dawn, and of the morning dew diffusing the fragrance of flowers. This is the effect of a gentle, inspiring whisper on our hearts, souls and consciences. The beauty of this loving address is far superior to any poetic expression because it combines the beauty of originality with the statement of certain fact. Hence it concludes with a rhetorical question: “Is there not in that an oath for a man of sense?” (Verse 5) The oath and the conviction are certainly there for anyone with a meditative mind. Although the positive meaning is intended, the interrogative form is used because it is gentler. Thus harmony with the preceding address is maintained. |
Ibn Kathir (English)
Sayyid Qutb
Sha'rawi
Al Jalalain
الطبري - جامع البيان
ابن كثير - تفسير القرآن العظيم
القرطبي - الجامع لأحكام
البغوي - معالم التنزيل
ابن أبي حاتم الرازي - تفسير القرآن
ابن عاشور - التحرير والتنوير
ابن القيم - تفسير ابن قيّم
السيوطي - الدر المنثور
الشنقيطي - أضواء البيان
ابن الجوزي - زاد المسير
الآلوسي - روح المعاني
ابن عطية - المحرر الوجيز
الرازي - مفاتيح الغيب
أبو السعود - إرشاد العقل السليم
الزمخشري - الكشاف
البقاعي - نظم الدرر
الهداية إلى بلوغ النهاية — مكي ابن أبي طالب
القاسمي - محاسن التأويل
الماوردي - النكت والعيون
السعدي - تيسير الكريم الرحمن
عبد الرحمن الثعالبي - الجواهر الحسان
السمرقندي - بحر العلوم
أبو إسحاق الثعلبي - الكشف والبيان
الشوكاني - فتح القدير
النيسابوري - التفسير البسيط
أبو حيان - البحر المحيط
البيضاوي - أنوار التنزيل
النسفي - مدارك التنزيل
ابن جُزَيّ - التسهيل لعلوم التنزيل
علي الواحدي النيسابوري - الوجيز
السيوطي - تفسير الجلالين
المختصر في التفسير — مركز تفسير
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Overview (Verses 1 - 5) A Serene Opening “By the dawn, by the ten nights, by that which is even and that which is odd, by the night as it journeys on! Is there not in that an oath for a man of sense?” (Verses 1-5) This opening groups together a few scenes and creatures who have familiar, pleasant, and transparent souls. “By the dawn,” refers to the time when life starts to breathe with ease and happiness, a time of fresh, friendly companionship. This dormant world gradually wakes up in a prayer-like process. “By the ten nights.” (Verse 2) The Qur’an does not specify which these ten nights are. Several explanations, however, have been advanced. Some say they are the first of the month of Dhu’l-Hijjah; some say they are in al-Muharram; and others state that they are the last ten nights of Ramadan. As it leaves them undefined, the Arabic reference acquires an added yet amiable effect. They are merely ten nights known to God but the expression connotes that they have special character, as if they were living creatures with souls and there was mutual sympathy between them and us, transmitted through this Qur’anic verse. “By that which is even and that which is odd.” (Verse 3) This verse adds an atmosphere of worship to that of the dawn and the ten nights. According to al- Tirmidhi, the Prophet says: “Some prayers are of even number and some are odd.” This is the most appropriate import to be attached to this verse, in the general context of the surah. It suggests a mutual response between the souls of the worshippers and those of the selected nights and the brightening dawn. “By the night as it journeys on.” (Verse 4) The night here is personified as if it were a traveller journeying in the universe. Its portrait is like that of an insomniac walking on and on in the darkness, or a wayfarer who prefers to start his long journey at night. What a beautiful expression, one enhanced by its superb rhythm! The harmony between this verse and the dawn, the ten nights, the even and the odd is perfect. These are not mere words and expressions: they provide a feeling of the breeze at dawn, and of the morning dew diffusing the fragrance of flowers. This is the effect of a gentle, inspiring whisper on our hearts, souls and consciences. The beauty of this loving address is far superior to any poetic expression because it combines the beauty of originality with the statement of certain fact. Hence it concludes with a rhetorical question: “Is there not in that an oath for a man of sense?” (Verse 5) The oath and the conviction are certainly there for anyone with a meditative mind. Although the positive meaning is intended, the interrogative form is used because it is gentler. Thus harmony with the preceding address is maintained. |
Surah 89. Al-Fajr - Saad al Ghamidi https://www.youtube.com/watch?v=9gK9wB6DKXw&index=88&list=PLhM2xiAUdw2cAqW_o3zZkbhJNw0bnaBZN
Surah 89. Al-Fajr Mahmoud Khalil Al Hussary https://www.youtube.com/watch?v=J6J27EsrUrw&index=89&list=PLxpAkjlGauHfMFWX22VZWOKpzjr-vH_BM
Surah 89. Al-Fajr Muhammad Al Luhaydan https://www.youtube.com/watch?v=lWrXSG4LFog
Surah 89. Al-Fajr Idris Akbar https://www.youtube.com/watch?v=j4DJ_bFrcuM
Surah 89. Al-Fajr Muhammad Minshawi https://www.youtube.com/watch?v=Uk96Owr7nFY&index=89&list=PLxpAkjlGauHdUcO_uc-8F8J2NUQRDZjPG
